Tuesday, March 20, 2012

Marilyn Singer’s THE BOY WHO CRIED ALIEN reviewed in School Library Journal


The following review for The Boy Who Cried Alien, by Marilyn Singer (published by Hyperion/Disney) appeared in the March 2012 issue of School Library Journal:

“Truth is, indeed, stranger than fiction as seen in this picture book redemption of the fabled boy who cried wolf. Given the retro cartoon illustrations packed with energy and action, children can approach the text in two ways: they can choose the “silent movie mode” and read only the subtitles in the ornate boxes that span the tops of the pages, or they can turn on the sound, so to speak, and read the rhyming speech bubbles. Some are in alien-speak, a foreign tongue in which the first and last letter of a word are transposed. (Translations are in the back matter.) Aliens Carlig and Dreab (you do the translating) need fuel for their rocket ship, which crash lands in Malarkey Lake, and since cows are found on their planet, Yeah, as well, they know that belching bovines are a fine source of gas. Larry the Liar, first rebuked by his townspeople, helps the aliens get home (they were en route to Hollywood for an audition). He becomes a hero and sets up his own school of fibbing. “Larry, you were underrated/just ‘cause you prevaricated./Now you have the admiration/of Malarkey Lake’s whole population.” As you see, this is a story chock full of humor and silliness. For reluctant readers, suggest the silent movie mode. For a second read, they can dive into the speech bubbles and alien language. Some readers will even create their own rhyming quatrains in alien-speak.”

What a clever idea, Marilyn!

Monday, March 19, 2012

Debbie and Michael Shoulders’ T IS FOR TITANIC: A TITANIC ALPHABET reviewed in School Library Journal


The following review for T is for Titanic: A Titanic Alphabet, by Debbie and Michael Shoulders (published by Sleeping Bear) appeared in the March 2012 issue of School Library Journal:

“This alphabet book provides introductory information about the ship itself, the people associated with it, and a very basic outline of the events surrounding that fateful night in April 1912. Each page includes a short, rhyming poem, a piece of original artwork, and several paragraphs that flesh out some details, from the Marconi operators who sent out the distress signals, to the dogs that also traveled aboard the ship. The writing is succinct and to the point, offering up conventionally accepted facts that cover a broad swath of territory about the Titanic but leave the depth of knowledge and discussion of more controversial topics to titles for older students. The realistic paintings take up three quarters of each page and provide a helpful visual accompaniment to the text.”

Sunday, March 18, 2012

A sample chapter of Joanne Rocklin’s THE FIVE LIVES OF OUR CAT ZOOK


THE IMPORTANT STUFF

Our cat’s named Zucchini, and we call him Zook, but that’s not the most important thing about him. And neither is the INCREDIBLE fact that he’s got seven toes on each front foot and six on each one in the back, for a total of twenty-six. (Most cats have five and four, for a total of eighteen.) His eyes are blue, like old faded jeans, and his coat is dark brown. But when he’s lying on a sidewalk scratching his back, you can see some white markings shaped like the state of California on his belly. And some black tufts in the spot where Oakland is, which is where we live. One corner of one ear is clipped off. He’s got shaky teeth, black gums, and breath that smells like the restroom in the Chevron station—a smell we love, because it’s Zook’s.

If you run your palm along his right side, you can feel something like a little pebble stuck under his skin. It’s not a pebble. It’s a pellet from a BB gun. And that’s not the most important thing about him, either. In fact, I try not to think about that so much.

Two and a half years ago, my brother, Fred, and I found Zook in the alley that connects the back of our apartment building with the back of O’Leary’s Pizzeria. We go to O’Leary’s a lot because of their famous fried zucchini. (Fried is the only kind of vegetable Freddy will eat.)

It was a warm, sunny Saturday, just like this one. Mom was in the stuffy basement laundry room, and Fred and I were sitting out in the alley eating lunch from O’Leary’s. We had folding chairs out there, and back then the big blue pots were filled with lavender and red geraniums. You could smell the eucalyptus tree and lavender over the traffic smells. Birds were chirping, which I suppose they’re always doing, but this was the kind of day when nice things like that got your attention.

Then something else got our attention.

“EE-OW! EE-OWEY!”

That’s another thing about Zook: He’s got the greatest pair of cat lungs ever. There he was, stretched out in the warm dirt of one of those geranium pots, howling away as if he and the birds in the alley were singers in a band. Nowadays, Zook is famous in the neighborhood for his singing, but at the time we’d never heard anything like him before. And then he let Freddy and me pet him, rubbing his head against our legs. Probably hadn’t been stroked in a long, long time. I noticed he was wearing a collar with a silver rectangle dangling from it. INCREDIBLY, in the middle of that rectangle was a little sparkly diamond! We lured that starving cat into the building with some fried zucchini. (Get it? Zucchini . . . Zook.) Mom said we could keep him, so we cleaned him up, bought him some cat food, and brought him upstairs to live with us. Dad said our family could always use a diamond, or the gobs of cash you could get for it.

That diamond isn’t even the most important thing about him. Anyway, we found out it was fake. But we’d already started to love Zook by the time we absolutely found out for sure. Actually, I began to love him the second I met him.

The most important thing about Zook right now is that he’s sick, and Fred and I are waiting around on the steps of the Good Samaritan Veterinary Clinic, where Zook’s getting help. The clinic has big windows in the front, and Freddy keeps jumping up to look in.

“There he is! I see him!” Fred shouts.

I push myself up from the stone stairs. I feel like a tired old lady, even though I’m only ten.

“Where?” I say. I don’t see Zook anywhere.

It’s Saturday, so the office is busy. A woman is answering the phone at the front desk, a man is bending over a filing cabinet, people and their pets are sitting around on couches, and a man with a stethoscope in his shirt pocket is scratching a slobbery golden retriever’s ear while talking to its owner.

“There!” Fred says, and I realize he isn’t talking about Zook. Fred’s pointing to the stethoscope guy. “That’s Zook’s vet!”

“Oh, yeah,” I say. It was kind of a blur when my mom and Fred and me rushed Zook in that morning, but that’s the guy.

Fred is looking at him like he’s God or something. Just like a five-year-old, to think like that. Of course, it is sort of godlike to cure a living, breathing being. Then a really SCARY question pops into my head. Even though Zook’s vet is probably a good person who loves animals with all his heart, does that also mean he’s good at his job? I mean really, really good?

We go inside and stand near the vet’s elbow. He’s explaining to the slobbery golden’s owner that the dog’s medicine has to be given three times a day for the first three days, then two times a day for the next three days, then once a day until all the pills are used up.

“I’m sorry. Can you repeat that one more time?” says the golden’s owner, a man who looks just as smart as you or me, except for the fact that his sweater is on inside out.

The vet takes a breath, holds up the little bottle of pills, and explains again, in a fake-patient voice, about the three times a day for the first three days, etc., etc. Fake-patient voices are always easy to spot because of the slowed-down syllables.

“Hope I remember all that,” says the dog’s owner.

I can hear unhappy yipping coming from behind the big closed doors past the front desk, and you can’t miss Zook’s famous yowling over it all: “EE-OW! EE-OWEY!” Yes, there’s lots of stuff for the vet to do back there, like take care of Zook, for instance! And when we brought Zook into the Good Samaritan Veterinary Clinic, he didn’t look one-seventeenth as frisky and healthy as that slobbery golden, who is now happily licking Freddy’s shoe.

That’s when, all of a sudden, I notice two things. Two important things that make me open my mouth. My big mouth, as some people (OK, my mother) would say.

Gramma Dee says I have chutzpah, which is a Yiddish word for “nerve,” but I only have it when the situation is serious. Which this is.

The first important thing: The instructions are right there on the pill bottle. IN CAPS.

I think it’s important to notice how words are written. Italics tell you to emphasize the words, or that the words are new or unusual, or that someone is thinking or writing or singing the words. Quotation marks tell you when someone is talking, or that the speaker is wriggling her fingers as she says a word in order to make that word “special.”

It’s as if the words have feelings. They come alive!

CAPS are like neon signs, or shouts, and they’re even more important than italics. You’re REALLY supposed to pay attention to them.

“The instructions are right there on the pill bottle,” I say.

The man and Zook’s vet both turn to look at me. Then the dog owner looks down at the caps on the pill bottle. The vet taps his index finger on the bottle—or, more specifically, THE VERY LONG FINGERNAIL ON THE INDEX FINGER OF HIS RIGHT HAND.

You may have guessed that the second important detail I’m noticing is the very long fingernail. Actually, all five of the very long fingernails on his right hand, which could only mean that:

1. Zook’s vet is a serious guitar player. And I know exactly what that means, because my friend Riya’s uncle is one.

2. Zook’s vet wishes he were home, practicing his guitar or playing with his band. Zook’s vet and his band want to leave Oakland and go to L.A. to get famous. (That’s what Riya’s uncle wants to do with his band.)

3. Zook’s vet is also thinking about the chords to a new song about his love. Many guitarists—Riya’s uncle, for example—sing songs about their loves, haven’t you noticed? Zook’s vet is thinking about all the words that rhyme with “pretty,” like “city” and “witty” and lots of others. He’s
thinking that nothing rhymes with “beautiful,” and it’s driving him crazy. Also, should the song be sad and slow, or happy and dancey?

In other words, he’s worrying and thinking about all those things. And he’s NOT worrying and thinking about ZOOK!

“Excuse me, young lady,” says the vet in his fake-patient voice. “Take a seat and I’ll be with you as soon as I can.”

Freddy and I don’t take a seat. I draw myself up tall. I try to put on a serious face, like my mother does when she’s putting unkind people in their place. I say what she would say in this situation.

“I beg your pardon,” I say, even though I’m not really begging his pardon, and tears are showing up in my eyes, which wouldn’t happen to my mother.

Freddy says, “We want to know about Zook, please!”

Fred is still looking all googly-eyed at the vet, like he’s God. Fred actually looks at a lot of adults like that, especially father-figure types. But God would remember who Zook is. I can tell by the way the vet pauses and studies the ceiling, like something important is going on up there, that the vet doesn’t have a CLUE. Of course, the vet’s memory is poor today, after a late night out playing a gig with his band, showing off for his love with fancy guitar strumming.

Then I give the vet a clue. Lots of them.

“I’m Oona Armstrong, and this is my brother, Fred,” I say. “Don’t you remember us? We just brought in our cat this morning! Zook’s the big old brown cat, with faded blue eyes, with a clipped ear, and the state of California on his belly. He has bad teeth and gums, but that’s not the problem. He has a BB-gun pellet on his right flank, but that’s not the problem, either. We brought him in this morning because the problem is—the problems ARE—he’s stopped eating and he keeps staring into space, and when he isn’t staring into space, he’s hiding in dark places, or staring into his water bowl, too tired to drink.”

The golden retriever’s owner gives a kind of salute to Zook’s vet and leaves. And now Zook’s vet really looks at us. I can tell he remembers our cat because of all the clues I gave him. I guess he feels sorry for us, too, because he takes us down a hall to a door with a window. We’re both allowed a quick peek, and there’s Zook, a sad brown blob in a cage, a tube hooked up to his paw, and a blue bandage keeping it in place.

“Zook’s kidneys are failing, and he’s very dehydrated,” the vet says. “We’re giving him fluids intravenously so he’ll feel better. We’ll call you when we’re done with the treatment. There’s nothing you can do now except go home.”

I don’t like being told there’s nothing I can do. I don’t like feeling that way, either.

The vet hands me his card, and his name is Howard Fiske, DVM. And there’s that long fingernail again! I’m scared for Zook’s failing kidneys, so the tears roll out of my eyes, and then a whole lot of really loud caps roll out of my mouth. “WELL, YOU GOTTA MAKE SURE THOSE KIDNEYS PASS, PLEASE!” I say. Loudly.

Friday, March 16, 2012

Joanne Rocklin's THE FIVE LIVES OF OUR CAT ZOOK receives starred review in Booklist


We're pleased to share the starred review that Joanne Rocklin's THE FIVE LIVES OF OUR CAT ZOOK  received in the 3/15/12 issue of BOOKLIST:

"At 10-years-old, Oona Armstrong has, and clearly enjoys, many responsibilities: she cares for Fred, her 5-year-old brother, when their mom is at work; she helps the local pizza place advertise to passersby; she preserves memories for both herself and Fred, including those of their dead father and also of the day they found their cat, Zook. In Ooona’s strong and realistic presentation of current events, we learn details of the past that bring Oona’s present concerns into compelling focus. Just as importantly, we learn about her idiosyncratic, but satisfying, theories on fibbing, story construction, and even child rearing. When Zook becomes critically ill, Oona keeps Fred from worrying by telling him he's only used five of his nine lives, and then invents stories about Zook’s previous lives. Rocklin’s characters are fully developed: readers will be invested in the interactions between Oona and her mother; Fred and their mother’s new boyfriend; and even the veterinarian intern and Zook. Set in Oakland, readers are also treated to a refreshingly authentic child’s view of a diverse city. The only imperfection in this novel is that it ends. Fortunately, an appendix provides us with Oona’s 8-step theory for story-making, including “A story doesn’t have to be true, but it does have to be real.”

Wednesday, March 14, 2012

A few words about Joanne Rocklin’s new book, THE FIVE LIVES OF OUR CAT ZOOK, due out in April

Joanne Rocklin’s next book, THE FIVE LIVES OF OUR CAT ZOOK, is due out in April 2012 from Abrams Books for Young Readers. The cover art was created by Chris Buzelli, who also created the cover art  for ONE DAY AND ONE AMAZING MORNING ON ORANGE STREET.

 
Joanne writes the story in the voice of Oona, who has a humorous and honest take on everything she encounters, even very serious things like the kidney problems of the cat she and her brother Freddy came to care deeply about during their father’s illness and eventual death. The book explores several themes on many levels. When Zook, short for Zucchini, has to go to the vet, Oona’s brother Freddy is worried, but she tells him cats have nine lives and Zook is only working on his fifth. Oona goes on to tell him fanciful short stories about Zook's four other lives. Telling lies, telling stories, the real meaning of true love, and bittersweet endings are at the heart of this funny novel for middle grade readers. It’s another must-read by Joanne Rocklin.

Tuesday, March 13, 2012

Marilyn Singer’s A STICK IS AN EXCELLENT THING receives an excellent review in the 3/11/12 issue of The New York Times


In the Sunday Book Review section of the March 11, 2012 issue of The New York Times, the reviewer had this to say about Marilyn Singer's A STICK IS AN EXCELLENT THING, "Charmingly capturing those small moments of neighborhood play, Singer’s ­poems here are about the outdoors, but not necessarily the countryside. There are stoops, sidewalks strewn with jacks, and other signs of urban frolic to comfort those children without the luxury of a summer retreat. [LeUyen] Pham (“All the Things I Love About You”) employs a lightly abstract retro style that rings of Tibor Gergely, well suited to these playful poems about old-timey summertime fun."

Excellent review, Marilyn. We look forward to seeing many more!